Master List - Fanfiction

[konstantya]

Since this journal is primarily for fanfic, here's a nice, easy, alphabetical list of all the fics I've written.  (Note that anything written before August of '09 was originally posted on ff.net, where I used to go by the name Sztorm.  I have since cross-posted those fics, under their original publish dates.)

Fandoms included below are:

-Black Angel (1946)  (6)
-Catherine and the Pirate  (1)
-Darker Than Black  (1)
-Escaflowne  (14)
-Final Fantasy VII  (15)
-Final Fantasy X  (1)
-Frozen  (1)
-Her Friend, the Burglar  (1)
-Hetalia  (36)
-Love For the Asking  (1)
-Love Pawn, The  (11)
-Original Fic  (1)
-Star Trek: The Next Generation  (13)
-Stranger Things  (1)
-A Tale of Two Cities  (1)
-This Gun For Hire (1942)  (11)
-The Tick (2017)  (1)

Cross-overs:
-FFVII / The Sandman  (1)
-Trigun / The Sandman  (1)
-Hetalia / FFVII  (1)

Various ficbits (random scenes, drabbles, etc.) can be found here.  The few other fan-related things I've made (FSTs, fanart, etc.) can be found at the very bottom of this post.



Black Angel (1946)

I Try To Pretend, Saying That I Don't Mind It
--Martin Blair.  (Implied Martin/Catherine.)
--PG-13.  Drama, general, angst?
--Christ, he really was a glutton for punishment, wasn't he.  First Mavis—that beautiful, glorious vampire of a woman—and now this.  (Or, Marty after Catherine initially goes up to Marko's office.)

I've Much To Regret
--Martin Blair, Catherine Bennett.  (Marty/Catherine.)
--PG-13.  Friendship, romance, angst.
--She was going to be the absolute death of him, he realized.  (Or, the aftermath of Catherine's first solo visit to Marko's office.)

They Say You Love and You Learn
--Catherine Bennet, Martin Blair.
--PG-13.  Drama, general.
--Maybe I learned the wrong way.  (Or, Catherine considers Marty's piano-playing.  Among other things.)

'Til Stars of Evening Cease To Burn
--Catherine Bennett.  (Implied Marty/Catherine.)
--PG-13.  Drama, general.
--She doesn't drink Coke anymore.  (Post-film character study, with bonus metaphysics.)

When Nothing Daunts You
--Catherine Bennett.
--PG-13.  Drama, general.
--Sometimes when it's dark, and she's alone with her thoughts, Catherine thinks of Mavis Marlowe.  (Post-film character study.)

While I'm In Your Spell
--Catherine Bennett, Martin Blair.  (Slight Marty/Catherine.)
--PG-13.  Drama, friendship, general.
--"Are you sure you're a musician and not a costume director?"  He glanced back and laughed in that short, wry way of his.  "Maybe I missed my calling, huh?"  (Or, the one where Marty plays fashion consultant.)



Catherine and the Pirate

Catherine and the Pirate (The Reformed Criminal Remix)
--All characters.
--PG-13.  Historical romance.
--A rewrite of the original book.  More details and actual plot summary in the link.



Darker Than Black

Fără
--Hei, Havoc.  (A dark sort of Hei/Havoc.)
--PG-15.  Drama, angst, slightly experimental.
--Odd, that simply interacting with Contractors was more exhausting than killing them.



Escaflowne

* Starred fics fall into a greater arc of sorts.  You can has more info about it here.

As Long As We're Going Down*
--Eries, Folken.  (Folken/Eries.)
--R.  Angst, porn-I-mean-romance.
--It wasn't love, but it was living.

But the Rain
--Zongi, Folken.  (By no means a Folken/Zongi, but could be read as something of a Zongi->Folken.)
--PG-13.  Drama, angst.
--In which Folken takes a bath, Zongi fanboys, and the whole thing is quite a bit more somber and depressing than this summary probably makes it out to be.

Foil
--Celena, Gaddes.  (A mild Gaddes/Celena.)
--PG.  Drama, general, friendship?
--"Allen would kill me if he knew I was doin' this with you, I hope you appreciate that."

He Did Not Drop
--Folken, Eries.  (A very slight Folken/Eries.)
--PG-13.  AU, drama, general?
--He was the last person she had expected and yet, once the initial shock had worn off, he felt immensely relieved that she was the first to find him alive.

I've Seen You In a Fight (You Lost)*
--Folken, Eries.  (A dark sort of Folken/Eries.)
--PG-13.  Drama, angst.
--It would be so easy, just a little tug and she would come tumbling into his arms...  (AU take on Your Words All Over Me, supposing that Folken really does drag Eries closer.)

If I Walk Down This Hallway*
--Eries, Folken.  (Could be read as a slight Folken/Eries.)
--PG-13.  Drama, angst.
--He'd changed since she'd last seen him, that much she could say for certain.  Folken comes to request asylum, and Eries tries to figure out just how she feels about him.

Our Roads To Run About*
--Eries, Dryden, mentions of Folken.
--PG.  Drama, general.
--After Folken comes to request asylum, Eries and Dryden have a brief discussion about the matter, and the man himself.  (Takes place within If I Walk Down This Hallway.)

Scientific Methods
--Eries, Folken.  (Folken/Eries.)
--PG-13.  Meta, crack, humor, romance.
--Merle writes Folken/Eries RPF.  Which Folken and Eries then find.  Akwardness and previously non-existent sexual tension ensue.  What is this I don't even.

Take It From His Whisper*
--Eries, Folken.  (Could be read as a slight Folken/Eries.)
--PG-13.  Drama, angst.
--She knew what it was like to fret over a younger sibling, after all.  Folken comes to Eries to make a last request of sorts.

The Blaze Across My Nightgown*
--Eries, Folken.  (Folken/Eries.)
--PG-13.  Angst, romance.
--Her pulse was pounding in her veins like rain, like thunder, like something dark and primitive and reckless.

The Falling Leaves
--Folken, Eries.  (Slight Folken/Eries.)
--PG.  AU, drama, romance.
--"You forget, Lord Folken; I'm used to the capitol. One has to travel all the way to the outskirts of Palas before you see any true foliage, and even then, I daresay Asturia's country-sides don't hold a candle to Fanelia's forests. Not at this time of year, at least."  (Eries visits Fanelia post-war.)

The Robin, and I, and the Sweet Cherry-Tree
--Gaddes, Eries.  (Slight Gaddes/Eries, past Folken/Eries.)
--PG.  Drama, friendship, romance?
--The story of how Gaddes totally hung out and drank ale with the Ice Princess of Asturia.

Till I Wake Your Ghost*
--Eries, Folken.  (Could be read as a slight Folken/Eries.)
--PG-13.  Drama, angst.
--In the aftermath of Castelo, Eries confronts Folken in an attempt to get some answers.

Your Words All Over Me*
--Folken, Eries.  (Something of a mild Folken/Eries.)
--PG-13.  Drama, angst.
--While biding his time in Palas following the destruction of Fort Castelo, Folken is confronted by Princess Eries.  (Companion piece to Till I Wake Your Ghost, in that it's the same events, just from Folken's POV.)



Final Fantasy VII

Bachelorette
--Tifa, Vincent, cast.  (Slight Vincent/Tifa.)
--PG.  General, romance, fluff.
--A frilly pink dress and reasons not to marry.  Tifa could never handle being a princess, so it was probably just as well Prince Charming had never been depicted as a sharpshooter.

Ethics, Duty, and Other Unspeakable Things
--Vincent, Tseng, Elena.
--PG-13.  General, drama.
--Advent Children fic.  An interlude of rescue.

Fallout
--Tifa, Reno.  (Reno/Tifa.  Implied Cloud/Tifa and maybe even Rude/Tifa.)
--PG-13.  Angst, drama.
--A vice: something you need, even if you know it's bad for you.

Hide and Seek
--Vincent, OFC (with some Vincent/different!OFC in the prologue).
--PG-ish.  Drama, general.
--A Turk mission decades before the war with Wutai.  A chance meeting because of a bottle of whiskey and a torn shirt.  Thirty-three years later, a woman comes looking for Vincent Valentine.  (Or, I try to write a "Vincent has a daughter!" story that doesn't quite suck.)  [DISCONTINUED, but kept here for archival purposes.]

Human
--Vincent, Lucrecia, Hojo.  (Vincent/Lucrecia/Hojo.)
--PG-13.  Darkfic, drama, experimental.
--The line between human and monster is a fine one.
Translations:  Italian, by youffie_17.

Insurance Won't Cover Apocalypses (But Listerine Kills Germs That Cause Bad Breath)
--Tifa, Vincent, a smidge of Cid.
--PG-13.  Humor, parody.
--Vincent finally reveals why the bottom half of his face was always covered, and it isn't nearly as romantic as some might have thought.  Also, Tifa briefly contemplates the unnecessary complexity of everyday domestic items.
*Nominated (under Best Parody) for the 2007 Genesis Awards.

Let's Dance
--Aeris, Tseng.  (Tseng/Aeris.)
--PG-13.  Drama, angst, romance.
--Put on your red shoes and dance the blues.
Translations:  Italian, by youffie_17.

Miel
--Yuffie, Vincent.
--PG-13.  Angst, drama, experimental.
--Thoughts.  Names.  The reasons behind them.

Nine O'clock On the 62nd Floor
--Hojo, Lucrecia!OC.
--PG-13.  Supernatural, angst.
--It was pure coincidence that he happened to come across her that day.  It had to be.  Because he wasn't the one with demons haunting him, was he?  ...Wasn't he?  (Pre-game fic.)

Parallelism
--Reno, Tifa.  (Possibly a very slight Reno/Tifa.)
--PG-13.  Drama, angst.
--Age isn't measured in years, anyway.

Professional Hazards
--Vincent, Lucrecia.
--PG-13.  Drama, general.
--The first time she met him, his suit was half-covered in blood.  [Written out of my ire for Dirge of Cerberus.]

Stability
--Tifa, Reno.
--PG-13.  Drama, angst.
--It's always a Thursday he comes in.

The Prerogatives of a Corporate Assassin
--Reno, Vincent.
--PG-15.  Drama, angst.
--The actual job--the killings, the deaths, the paychecks--is in fact very secondary.
*Nominated (under Best Angst) for the 2010 Genesis Awards.

...Up
--Vincent-centric, Lucrecia, Hojo.  (Vincent/Lucrecia/Hojo.)
--PG-13.  Drama, angst, experimental.
--He never thought himself a romantic, and certainly not a hopeless one.  And maybe his dreams began long before the nightmares...
*Nominated (under Best Drama) for the 2007 Genesis Awards.

We'll Rest Easy, Justified
--Tifa, Reno.  (Slight Reno/Tifa.)
--PG-13.  Drama, angst.
--It isn't until closing time comes around that she realizes she has been waiting.  (Follow-up to "Stability.")



Final Fantasy X

Ligatures
--Auron, Lulu, cast.  (Auron/Lulu.)
--PG-13.  Drama, angst, romance.
--Some things were more important than kisses.



Frozen

Silver and Exact
--Elsa, Hans, a bit of Anna.  (Hans/Elsa.)
--PG-13.  Drama, romance.
--They are two sides of the same coin, reflections in a cracked mirror.



Her Friend, the Burglar

A Thief In the Night
--Doris Lawton, The Burglar.  (Slight Doris/Burglar.)
--PG-13.  Gen, romance.
--After a few days at the seaside resort, Doris began to realize just how silly it was to expect the burglar to show up.  (Or, a post-canon fic based on yet another pulp story.  Plot summary and original story link inside.)



Hetalia

* - Starred fics fall into the Edelweiss Arc.  You can has more info about it here.

A Perpendicular Expression
--Austria, Spain, Hungary.  (Austria/Hungary, with Spain/Austria/Hungary undertones.)
--PG-13.  Romance, humor.
--Spain, the Country of Passion, is here to help you get over your romantic inhibitions!  (Or, Austria proves that with the proper incentive, he can be thoroughly improper.)
--Sometime before 1700.

Ah-choo, I Love You
--Hungary, Austria.  (Austria/Hungary.)
--PG-13.  Humor, romance.
--Austria frowned.  "I'm not miserable," he insisted, though his raw, red nose and watery eyes clearly said otherwise.  (Austria is determined to take Hungary on a romantic picnic, seasonal allergies be damned.)
--Modern.

And Then Start Down*
--Austria, Spain.
--PG.  Drama, general, friendship.
--Cold War-era Austria needs a vacation from himself.  Spain is oblivious.  Except when he isn't.
--September/autumn-ish, 1961.
Translations:  German, by Kate Marley.

Beauty and the Beach
--Hungary, Austria.  (Austria/Hungary.)
--PG-13.  Romance, humor.
--Leave it to Austria to find something fifty years out of fashion unbearably sexy.  (Or, Austria and Hungary have passive-aggressive adventures at the beach.)
--Modern.

Bridal Style
--Belarus, Hungary.  (A mild Hungary/Belarus.)
--PG.  General, romance, humor?
--Belarus sprains her ankle, and Hungary helps her walk home.
--Modern.

But That Was In Another Country
--Prussia-centric, a smattering of other countries.
--PG-13.  Drama, angst, historical.
--It's 1948, and he's lost.
--Post-WWII.
Translations:  Spanish, by Ireth Isilra.  Chinese (1), by zywsl0929.  Chinese (2) (now defunct?), by senchereed.

Chance of Rain
--Austria, Hungary.  (Austria/Hungary.)
--PG.  Drama, angst, historical.
--It was a complicated thing, their history.  (Or, Pan-European Picnic, take one.)
--1989.

Clotho, Lachesis, Atropos*
--Austria, Poland.
--R.  Angst, drama, black humor.
--At Auschwitz, Poland needs Austria's help.  To make a dress.  (The laughter is, like, totally to keep from crying, bro.)
--1943.

Consider Phlebas*
--Austria, Germany, a bit of a human OC.
--PG-13.  Drama, general, angst.
--Wheelchair!Austria is feeling down.  Germany gives him a pro-Hitler sales-pitch to cheer him up.  It goes...well...
--1934.

Diamonds and Rust*
--Hungary, Poland.  (Implied Austria/Hungary.)
--PG-13.  Drama, friendship, humor.
--Someone makes good on a personal promise.  Poland has no idea who, but since it landed him with a Chanel dress, he isn't about to complain.  In fact, he needs to celebrate.  And who better to celebrate with than your BFF?
--Early 1957.
Fanart:  sketch, by chaneljay.

Dusking
--Hungary, Austria, mentions of Italy, HRE, Spain.  (Slight Austria/Hungary.)
--PG.  Drama, general, romance.
--Austria does dishes, Hungary thinks he acts like an old man (but a sexy old man!), and the Thirty Years' War looms on the horizon.  Based on the extra Chibitalia strip, "Something Written As the Immediate Effect."
--1617-ish.

Forward and Reverse
--Hungary, Austria, various other nations and real-life historical figures.  (Austria/Hungary.)
--PG-13.  Drama, angst, romance, historical.
--The circumstances that led to their marriage were hardly the stuff of fairy tales.  From the Hungarian Revolution of 1848 to the Austro-Hungarian Compromise of 1867.

Handfuls
--Liechtenstein, Austria.  (Slight Austria/Liechtenstein, if you care to see it.)
--PG.  General, humor, romance?
--Liechtenstein experiences A-cup angst.  Austria is forced to give her the most awkward pep talk ever.
--1830-ish.

Hot Fuzz
--Austria, Belarus.  (Something of a slight Austria/Belarus.)
--PG-13.  Humor, general, romance?
--Austria finds himself straddled and pinned to the ground by Belarus.  So she can get a piece of lint from his hair.
--Modern.

It's a Bittersweet Timpani
--Austria, Hungary.  (Austria/Hungary.)
--PG.  Humor, romance.
--"Did you honestly just play 'Rock Me Amadeus' on the timpani?"  (Hungary plays the timpani for Austria, and shenanigans ensue.)
--Modern.

Just a River In Egypt
--Prussia, Austria, with bits of Germany and Hungary.
--PG-13.  Drama, humor.
--The Berlin Wall falls, and Prussia and Austria deny that anything has changed.
--November, 1989.
Translations:  German, by BrownFeather.

Like Morning*
--Liechtenstein, Austria.
--PG.  Drama, general, angst.
--Until 1919, it was Austria she turned to.
--mid-1919.

Masquerade
--Austria, Hungary, Chibitalia.  (Austria/Hungary--with a twist.)
--PG-13.  Drama, romance.
--Chibitalia tries to play matchmaker, Austria disapproves, and Hungary has a very memorable time at the Carnival of Venice.
--early- to mid-1700s.

Miles To Go*
--Austria, Switzerland, Liechtenstein.
--PG.  Drama, general.
--Austria has changed greatly from the war-mongering empire he once was.  Switzerland on the other hand...hasn't changed a hair.
--Late 1955.
Translations:  Chinese, by Wuthering Willow.

Mood Indigo*
--Austria, Prussia, Germany.
--PG-13.  Drama, angst, general.
--Anschluss, anti-Semitism, and impending war.  Sometimes classical music just doesn't cut it.
--1938.

Once More, With (a Different) Feeling
--Hungary, Austria.  (Austria/Hungary.)
--PG-13.  Romance, drama.
--"I want a redo," she said.  "Wedding dance 2.0: this time with less baggage."  (One-hundred and fifty years after the fact, they finally get it right.  In honor of the 150th anniversary of the Austro-Hungarian Compromise.)
--June 8th, 2017.

Pas de Deux
--Austria, Belarus, Russia.  (Austria/Belarus, Belarus->Russia.)
--PG-13.  Drama, romance, general.
--In which Russia uses Austria, Austria uses Russia, Belarus goes to the ballet, and a crack pairing happens.
--1820-ish.

Something Blue*
--Austria, Germany, mentions of Prussia.  (Implied Austria/Hungary.)
--PG.  Drama, general, angst.
--The Iron Curtain is drawn heavily.  Germany is lonely.  Austria is lonelier.  Not that he'll ever say as much.
--August, 1961.

Stay On My Side Tonight*
--Austria, Hungary.  (Austria/Hungary.)
--R.  Angst, romance.
--Of all the places to run into your ex-wife, the Battle of Berlin has to be one of the worst.
--April 20th-ish, 1945.

Steadier Footing*
--Austria, Hungary.  (Austria/Hungary.)
--PG-13.  Drama, romance.
--1989, and the borders open.
--August 19th, 1989.

The Devil Is a Gentleman
--Hungary, Austria.  (Austria/Hungary.)
--PG-13.  Drama, pre-romance.
--"I was thinking of Greece and his myths," she says.  "Oh?" he asks, distinctly disinterested.  "And am I correct in assuming there's a particular figure of which I remind you?"  (In the late 1600s, Austria retrieves Hungary from the Ottoman Empire.  A pre-romance sort of AusHun, if you will.  Inspired by this image set, and the story of Hades and Persephone in general.)
--Late 1600s (like late 1680s, early 1690s?).

The King and I
--America, Hungary.  (America/Hungary.)
--PG.  General?
--In 2011, Elvis Presley was posthumously made an honorary citizen of Budapest.  And it wasn't because of his music.
--2011.

The Larks, Still Bravely Singing
--Austria, Belarus.  (Austria/Belarus.)
--PG-13.  Drama, romance, AU.
--In post-WWI Paris, pianist Roderich Edelstein needs a job, and ballet instructor Natalya Arlovskaya needs an accompanist.  (Human AU.)
--1920.

This Is the Way the World Ends*
--Austria, Prussia, bits of the Allies.  (Implied Austria/Hungary.)
--PG-13.  Drama, angst.
--The Great War draws to a close.  Austria learns that there are some things he simply cannot take in stride.  (Or, the beginning of smoker!Austria.)
--1918, 1919.
Translations:  Chinese, by the group APHSuez.

Tied In (Austrian) Knots
--Hungary, Austria.  (Slight Austria/Hungary.)
--PG.  General?
--There she was, dressed up in her hussar uniform, standing in the middle of his office, while he circled her like some contemplative vulture.
--Sometime in the 1700s?

To Ride On
--Belarus, Austria.  (Austria/Belarus, implied Belarus->Russia and past Austria/Hungary.)
--Hard R.  Angst, drama, porn?
--In which sex turns into something more than sex, but distinctly less than love.  (Sequel to White Horses.)
--Modern.
Translations:  Chinese, by WagIzhen.  (Can also be found here, but due to the rating, you must be registered to view it.)

Too Hot To Handel
--Austria, Hungary, Germany.  (Austria/Hungary.)
--PG.  AU, humor, romance.
--The problem, Roderich decided, was not so much that she didn't know he existed, but that he kept acting as if she didn't exist.  (Or, high-school junior Roderich Edelstein contemplates majoring in self-sabotage.)
--Modern.

Unexpected
--Hungary, France, Austria.  (France/Hungary, with past Austria/Hungary.)
--PG.  Angst, romance (I guess?)
--She had expected to run into France.  She hadn't relished the thought, but she had expected it.  Austria on the other hand...  (Just a little ficlet, inspired by a fanart.)
--Post-WWI.

White Horses
--Belarus, Austria.  (Austria/Belarus, Belarus->Russia.)
--Hard R.  Angst, drama, porn.
--Centuries of unrequited love for a nation like Russia will do funny things to a girl.  (Or, Austria plays empire.)
--Modern.
Translations:  Chinese, by WagIzhen.  (Due to the rating, you must be registered to view it, but here's the general forum.)

Words For Thoughts
--Austria, Hungary.  (Austria/Hungary.)
--PG.  Romance, humor.
--Only Austria would still manage to use precise speech when drunk.
--mid-1700s.
Fanart:  lineart, by chaneljay.

Young Man, I Do Believe You're Dying
--Austria, Hungary, Turkey.  (A twisted Austria/Hungary, in that it's really more like a twisted Austria/Hungary/Turkey.)
--PG-13.  Drama, angst, romance.
--In which Ottoman!Hungary becomes Habsburg!Hungary, Austria becomes something of a possessive creeper, and Turkey is a surprisingly good judge of character.
--1687-1697.
Translations:  Chinese, by the group APHSuez.  (Group can be contacted through this account, and the translation can also be found here, here, here, here, and here.  Whew!  ^_~)



Love For the Asking

Soul of My Heart, Spirit of My Soul
--Nadia Minor, Drew Carteret.
--PG-13.  Gen, pre-romance.
--"So is that what this visit is about?" she asked, with a mocking lift of her eyebrow.  "Checking in on your investment?"  Somehow things had a tendency to turn sarcastic between them.  It was easier that way, she'd found.  Easier with the emotional distance it created.  (Or, a pre-canon fic based on yet another pulp story.  Features opera, class differences, complicated relationships, and walking in on someone!  Background context and link to original story inside.)



The Love Pawn

Black Knights' Tango
--Red/Jack Delafield.
--PG-13.  Drama, gen.
--"Heard something interesting the other day," Raymie said.  "Thought you might want to know."  Jack took a drag from his cigarette and waited.  "Rumor has it Eric Kendall is in love."  (Or, Mr. Jack Delafield, of the California Delafields, formally invites you to witness the start of his weird, stalkery descent into darkness.)

Checkmate
--Paula Ingram, Red/Jack Delafield.  (Paula/Red.)
--PG-13.  Drama, romance, horror?
--For a sick moment, reality tilted, then snapped back into place with horrifying clarity.  "You!" she gasped.  "You, Red, and the butler, Benson, are the same!  You got that place in my home just to find out about me, didn't you?"  (Expanded scene.)

Clever Crab On This Eastern Seashore
--Red/Jack Delafield, Koti.
--PG-13.  Drama, angst, gen.
--Even sea bream is not delicious when eaten alone.  (Or, the tale of a Japanese immigrant and his dumbass, adopted, white-boy son.  Fix-it fic for the original story's sketchy racial politics.)

En Passant
--Paula Ingram, Red/Jack Delafield.  (Paula/Red.)
--PG-13.  Drama, romance?
--Missing scene from the masquerade ball.  Dancing, sexual tension, and introspection ensue.  (Plot summary and original story link inside.)

En Prise
--Red/Jack Delafield, Paula Ingram, Eric Kendall.  (Paula/Red, Paula/Eric.)
--PG-13.  Drama, romance.
--It had been one thing to watch Monty Lewis kiss her.  The same could not be said for Eric Kendall.  (Missing/expanded scene.  Could be considered a companion piece of sorts to Zugzwang, as the one picks up right where the other leaves off.)

Madwoman's Chess
--Paula Ingram, Red/Jack Delafield.  (Paula/Red.)
--PG-13.  Drama, romance.
--There had been at least a couple times that day where she easily could have broken away or alerted someone about her predicament.  The pilot of the airplane Red had chartered, for instance.  Or the hotel clerk, when he signed them in after their landing in California.  But she hadn't.  And...why?  (Or, Paula self-reflects as she gets ready for the masquerade ball.)

Middlegame
--Paula Ingram, Red/Jack Delafield.
--PG-13.  Drama, gen.
--As if he could read her mind—or else just the worried expression on her face—Red spoke:  "Let me assure you, Paula, that this is all strictly business.  Now, please," he urged, with a gesture at her plate, "enjoy the meal."  (Or, Red treats Paula to dinner in his apartment after he kidnaps her.  Expanded/missing scene.)

Queen's Gambit Accepted
--Paula Ingram, Red/Jack Delafield.  (Paula/Red.)
--R.  Romance, smut.
--Truly, her husband could be so patient when he needed to be.  But then, he'd already proven that a long time ago, hadn't he?  (Post-canon fic.)

Relative Pin
--Paula Ingram, Red/Jack Delafield.
--PG-13.  Drama, gen.
--"I wouldn't try it," Red said, interrupting her thoughts as clearly as if she'd been speaking them aloud.  His voice was soft, yet with an unmistakable edge of warning.  "Those woods go for miles and I'd catch you in no time."  (Or, Paula and Red stop for gas after he hijacks her car and effectively kidnaps her.  Missing scene.)

Remis
--Paula Ingram, Red/Jack Delafield, Uncle Jerry.  (Paula/Red.)
--PG-13.  Drama, romance.
--Her hands grabbed at his lapels, feeling the firm plane of his chest underneath, and involuntarily, a little cry rose in her throat.  To have him!  To finally have him!  Her bandit, her would-be bank robber, the man who'd stolen her so completely, body and soul.  (Or, in which Paula's uncle rocks up, fearing something’s wrong after chasing her across the country, only to find her making out with his substitute butler, bless.  Missing scene.)

Zugzwang
--Paula Ingram, Red/Jack Delafield.  (Paula/Red.)
--PG-13.  Drama, romance.
--Eric—her dear, sweet Eric—a thief!  (Or, that awkward moment when you 1.) discover your long-distance bf is actually a piece of shit, and 2.) realize you're in love with the dude who kidnapped you.  Related to En Passant.)



Original Fic

Sharp As Glass and Twice As Bright
--Outlaw Heroine/Deputy Hero
--R.  Western, drama, romance?
--They really should have gagged him.  That would have been the sensible thing to do.  (An original piece inspired by a pulp magazine cover.  Image linked in post.)



Star Trek: The Next Generation

All the King's Horses and All the King's Men
--Ishara Yar, Ard'rian McKenzie, Lore.
--PG-13.  AU, drama, general.
--Ishara Yar and Ard'rian McKenzie try to put an android back together again.  (Mirror Universe AU.  Related to Façades, but can stand alone.)

Anything You Can Do...
--Data, Tasha Yar, Lore, Ishara Yar.  (Lore/Ishara, with a side of Data/Tasha.)
--R.  AU, humor, romance, crack?
--Lore sends Data a sex tape.  Tasha is not amused.

Built Upon Sand
--Ishara Yar, Lore.  (Lore/Ishara.)
--PG-13.  Drama, general, angst.
--Because sometimes someone can be so bad for you that they're just good enough.  Ishara, Lore, and the damage between.
Fanart:  drawings, by frankenbolt;  drawing, by brokenheartedfestivities.

'Cause You're a Criminal (As Long As You're Mine)
--Ishara Yar, Lore.  (Lore/Ishara.)
--NC-17.  Drama, angst, porn-with-plot.
--In which a Starfleet uniform is worn, Lore doesn't know how to work through this brother issues, and Ishara should just know better, period.  (Follows the relationship previously established in Built Upon Sand and Castles.)

Castles
--Ishara Yar, Lore.  (Lore/Ishara.)
--R.  Angst, drama.
--In which Lore and Ishara have a Bad Romance.  (Sequel to Built Upon Sand.)
Fanart:  lineart (NSFW), by brokenheartedfestivities.
Related Fics:  The Lime Tree, by MsBee.

Consider This the Slip
--Lore, Ishara Yar.  (Lore/Ishara.)
--R.  Angst, drama, romance?
--Oh, life is bigger, it's bigger than you, and you are not me...  (Or, Lore contemplates sex and doesn't know how to deal with his emotions—but he's trying, the poor boy.  He's trying.)

Façades: A Mirror Universe Story
--Tasha Yar, Data, cast.  (Data/Tasha)
--PG-13.  AU, drama, adventure.
--In this universe, the Terran Empire didn't fall. A tale revolving around the ISS Enterprise, with Tasha Yar still alive, Data as this century's Casanova, Worf playing for the wrong side, and a one-eyed Wesley Crusher.  (Rewrite of this fic, by Pseudo Posthuman.)

Go Ahead, Make My Latte
--Ishara Yar, Lore.
--PG-13.  AU, drama, humor.
--Coffee shop AU.  Ishara the bitchy barista gets held up by Lore the petty criminal.  What is this I don't even.

Kiss Me Quicksilver
--Ishara Yar, Lore.  (Lore/Ishara.)
--PG-13.  Humor, romance, fluff (or as fluffy as these two get at least).
--Was that what this was all about?  Had she accidentally stumbled upon one of his—for lack of a better word—kinks?  (Or, Ishara tries to makeup, and Lore is tsundere.  Follows the relationship previously established in Built Upon Sand and Castles.)

Ligaments
--Ishara Yar, Lore.  (Lore/Ishara.)
--PG-13.  Drama, romance, hurt/comfort (in their own dysfunctional way?)
--In which Ishara suffers a sex injury, and Lore doesn't find this nearly as amusing as you might think.  (Follows the relationship previously established in Built Upon Sand and Castles.)

Satisfaction Brought Him Back
--Lore, Ishara Yar.  (Lore/Ishara.)
--PG-13.  Drama, humor, fluff. (or as fluffy as these two get at least).
--Ishara gets a kitten.  Lore is not amused.  (Follows the relationship previously established in Built Upon Sand and Castles.)

To Sleep, Perchance
--Lore, Ishara Yar.  (Lore/Ishara.)
--PG-13.  Humor, romance, crack.
--Ishara gets pregnant, and Lore almost has an aneurysm.  (Follows the relationship previously established in Built Upon Sand and Castles.)

Uncanny
--Deanna Troi, Lore.  (A dark sort of Lore/Troi.)
--PG-13.  Drama, angst.
--Was it only because she was used to Data, that she wasn't put off by his inorganic nature?  Or was it perhaps because of his inhuman qualities, because his mannerisms and speech were so formal as to render him more machine than man?  ("Descent"-fic.)



Stranger Things

You Think You're Alone Until You Realize You're In It
--Nancy Wheeler, Jonathan Byers.  (Slight Jonathan/Nancy.)
--PG-13.  Drama, general.
--Was it weird, she suddenly wondered, to stare at someone so intently while they slept?  Carol had called him a creep because of the pictures he'd taken, but in that moment, was she, Nancy, really any better?  (Takes place in 1x06.  Missing scene/character study.)



A Tale of Two Cities

A Fine and Private Place
--Carton, the seamstress.  (Essentially a Carton/Seamstress.)
--PG.  Drama, tragedy.
--On the way to the guillotine, Carton reflects on his relationships with the fairer sex.



This Gun For Hire (1942)

And Foolish Though It May Seem (To Me, That's Everything)
--Ellen Graham, Philip Raven.  (Raven/Ellen.)
--PG-13.  AU, drama, romance
--When had their roles gotten reversed, she suddenly wondered.  She was the one who was supposed to worry about him, or so she'd thought.  He'd had such a rougher time of things, after all.  (Or, a missing scene from They'll Ask Me Why and I'll Tell Them I'd Rather, that takes place the day after Ellen's breakdown.)

But the Tables Have Turned
--Ellen Graham, Philip Raven.  (Raven/Ellen.)
--PG-13.  AU, drama, romance.
--She's in love with a killer, she tells herself, repeatedly.  (Takes place sometime after the events of They'll Ask Me Why and I'll Tell Them I'd Rather.)

Each Cloud Contains
--Philip Raven, Ellen Graham.
--PG-13.  Drama, angst, general.
--It was her.  The girl from the train.  The one who'd so frustratingly gotten away earlier that day.  Just what in the hell was she doing there?  (Or, Raven rescues Ellen from Gates' mansion.  Expanded scene/character study.)

I'm Not Yours Anymore, You're Mine
--Ellen Graham.  (Michael/Ellen and implied Raven/Ellen.)
--PG-13.  AU, drama, angst, general.
--She hates him, she thinks.  She hates him for having the decency to disappear from her life, but the cruelty to linger everywhere else.  (Or, Ellen and the aftermath of trauma.)

In Every Prayer
--Philip Raven, Ellen Graham.  (Raven/Ellen.)
--PG-13.  AU, drama, romance.
--In hindsight, he supposed it was what some people might have called fate.  (Or, in which the man formerly known as Philip Raven has a big ol' crush on a gal, but isn't capable of recognizing it as such.  A prequel of sorts to There Are Dreams I Must Gather.)

Now You See It, Now You Don't
--Ellen Graham, Philip Raven.
--PG-13.  Drama, general.
--Could all hardened criminals act so strangely normal and borderline courteous?  Or was it an attribute exclusive to him?  (A tiny missing scene from when Ellen's on the run with Raven.)

There Are Dreams I Must Gather
--Ellen Graham, Philip Raven.  (Raven/Ellen.)
--PG-13.  AU, drama, romance?
--AU, assuming Raven somehow escaped at the end.  Four years later, in 1946, Ellen Graham runs into him again.

They'll Ask Me Why and I'll Tell Them I'd Rather
--Ellen Graham, Philip Raven.  (Raven/Ellen.)
--PG-13.  AU, drama, romance.
--Sequel to There Are Dreams I Must Gather.  Philip Raven returns to the club, as promised.  (Or, in a very special performance, Miss Ellen Graham deconstructs the Manic Pixie Dream Girl trope.)

Till You're Walking Beside Me
--Ellen Graham, OFC.  (Implied Raven/Ellen.)
--PG-13.  AU, drama, friendship, gen?
--In which the only male Ellen can commit to is a cat.  (That she names him "Raven" doesn't mean anything, honest.  Follows the same continuity as my other TGFH fics.)

Wherever You Are
--Ellen Graham, Michael Crane, Philip Raven (mentioned).  (Michael/Ellen, implied Raven/Ellen.)
--PG-13.  AU, angst, romance.
--In the days following Raven's final escape, Ellen and Michael try to go back to normal.  (Spoiler alert:  They aren't very good at it.  Follows the same continuity as my other TGFH fics.)

Your Fortune's Fallin' All Over the Town
--Ellen Graham, Philip Raven.
--PG-13.  Drama, angst, general.
--This was, Ellen realized, the most uncomfortable car ride of her life.  (Or, Raven drives them from Gates' mansion to the Neptune Club.  Missing scene/character study.)



The Tick (2017)

Don't You Mess Around With Me
--Dot, Overkill.  (Slight Overkill/Dot.)
--PG-13.  Humor, romance.
--Dot takes a shower and shenanigans ensue.



Cross-overs:

Final Fantasy's Seven Endless Movements  (FFVII / The Sandman)
--Yuffie, Cid, Aeris, Tifa, Cloud, Barret, Vincent, the Endless.
--PG to PG-13.  Drama, general, experimental.
--Experimental drabble collection, pairing (in the non-romantic sense) each of the Endless with a FFVII character.

The Sound of Her Wings  (Trigun / The Sandman)
--Wolfwood, Death.
--PG.  Drama, supernatural.
--Wolfwood has a little chat with one of the Endless.  (This was the first fic that I dared to put online.  It's pretty terrible in my opinion, but hey, we all started somewhere.)

Till We Become Accustomed To the Dark  (Hetalia / FFVII)
--Tifa, Austria.  (Austria/Tifa.  Implied Austria/Hungary and Cloud/Tifa.)
--PG-13.  Crack, drama, angst.
--Misery loves company.  Post-WWI Austria and post-Meteor Tifa drown their sorrows.



---

Other things that aren't fics:

(Many of the image links are broken, and I do apologize for that.  I just haven't had time to fix them yet.  T_T)

Fanart:

Lulu (Portrait)
--Final Fantasy X
--G

AustriaxBelarus stick figure spam
--Hetalia
--PG

Austria stick figure spam
--Hetalia (with an Escaflowne cameo)
--PG

Hungary (doodle portrait)
--Hetalia
--G

Escaflowne stick figure spam (part 1, part 2, part 3)
--Escaflowne (with a FFVII cameo in part 1, and a Hetalia cameo in part 3)
--PG

Folken hand study
--Escaflowne
--G


FSTs:

All These Things That I've Done:  A Folken Fanel FST
--Escaflowne
--PG-13

Dissolved Girl:  A Belarus FST
--Hetalia
--PG-13

Falling:  An Austria/Hungary FST
--Hetalia
--PG-13

GAEA'S BIG-ASS DANCE PARTY:  An Escaflowne Fanmix
--Escaflowne
--PG-13

Instability:  A Vincent Valentine FST
--Final Fantasy VII
--PG-13

PRUSSIA'S MEGAMIX VOL. 1:  You're So Vain AWESOME (or, Yes, I DO Think These Songs Are About Me)
--Hetalia
--PG-15

Soft Mistakes:  A Lucrecia FST
--Final Fantasy VII
--PG-ish

Something About Us:  A Folken/Eries EP
--Escaflowne
--PG-ish

The Edelweiss Arc: A Soundtrack
--Hetalia
--PG-13

What Metal We're Of:  A Mix For Manipulative Disappointing Siblings
--Star Trek: The Next Generation
--PG-13